The other day, I was reading the blog post “Not being able to see very clearly is believing” written by Joerg Colberg, and it made me ask myself a question - why do people find lo-fi video and mobile phone images more believable?

or when every moment is captured and none are remembered.

We take more photos now than at any point in history. With our phones, burst mode, live photos, and endless storage, we snap every moment just in case. But then what happens? Most of these images vanish into the black hole of our camera rolls—thousands of pictures we never look at again. We technically “keep” these memories, but we never actually revisit them…

(and that’s a good thing)

It happens every year. A new camera drops, the specs sound unbelievable, and suddenly your perfectly fine setup starts to feel… dated. You scroll through YouTube reviews, watch side-by-side comparisons, and convince yourself that your creative ceiling must be the limits of your current gear…

Let's be honest — being a photographer in the age of social media can feel like juggling flaming cameras. Instagram, Threads, Facebook, Twitter/X, Flickr, YouTube, TikTok, maybe even a podcast... It's endless. And if you listen to the general noise online, it sounds like you must do it all. But do you?

There’s something magical about cities in the rain. The quiet moments when lights stop being lights and turn into colours instead. On dry nights, things are sharp, ordered, obedient. But add a wet windscreen and a slow shutter, and suddenly everything starts to breathe. Shapes begin to melt, headlights start to stretch, and reflections ripple across the pavement. What used to be a street becomes something else entirely. Something that is half real, but still half a dream.

For years, I thought good photography meant hunting for striking subjects — the dramatic building, the unusual face, the postcard landmark. But the images that stayed with me weren't about things at all. They were about light.